{"id":1767,"date":"2026-10-19T09:37:09","date_gmt":"2026-10-19T07:37:09","guid":{"rendered":"https:\/\/frankfurt-lab.de\/events\/inanna\/"},"modified":"2026-10-19T09:37:09","modified_gmt":"2026-10-19T07:37:09","slug":"inanna","status":"publish","type":"events","link":"https:\/\/frankfurt-lab.de\/en\/events\/inanna\/","title":{"rendered":"Inanna"},"content":{"rendered":"<p>The solo &#8220;Inanna&#8221; is based on the hymns of poet Enheduanna, who lived and wrote in the Sumerian city Ur about 2334-2279 BC. In her poems Enheduanna is fantasizing about the goddess of war and love, Inanna, creating a confusing mixture of death and sensuality, as Inanna is described as beautiful as a ripe fruit in one poem and as feeding on corpses like a dog in the next. <\/p>\n<p>These contradictions, combined with the current ongoing conflicts in i. e. Iran, Ukraine and Palestine, let to Verena G\u00f6tsch&#8217;s questioning on why we still reproduce images that romanticize, glorify and sexualize war. In &#8220;Inanna&#8221;, these contradictions are turned into dance and embodied with the strong wish for healing and caring. <\/p>\n","protected":false},"featured_media":1766,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false},"class_list":["post-1767","events","type-events","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/frankfurt-lab.de\/en\/wp-json\/wp\/v2\/events\/1767","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/frankfurt-lab.de\/en\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/frankfurt-lab.de\/en\/wp-json\/wp\/v2\/types\/events"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/frankfurt-lab.de\/en\/wp-json\/wp\/v2\/media\/1766"}],"wp:attachment":[{"href":"https:\/\/frankfurt-lab.de\/en\/wp-json\/wp\/v2\/media?parent=1767"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}