Nazanin Bahrami is a performance artist, theater-maker, artistic researcher, and visual artist whose work unfolds at the intersection of performance, collage, and painting. In 2017, she founded the research-based art collective \u201cUn-formula,\u201d which cultivates dialogue between performance and visual art and engages with social and cultural practices. Committed to examining the role of art in society, she deepened her practice through the continuing-education program \u201cArt as Social Practice.\u201d Her artistic practice centres on the performative investigation of mourning and death, with a particular focus on the gendered dimensions of grief. Bahrami\u2019s projects have been presented at venues including Produktionshaus NAXOS, K\u00fcnstler*innenhaus Mousonturm, Frankfurt LAB, Theater neben dem Turm, Staatstheater Kassel, K\u00fcnstlerhaus Bethanien, and KVS Brussels, as well as at festivals and art events in Germany, Belgium, and Iran. <\/p>\n
Research Project:
The artistic research project \u201cVoice Not Found\u201d begins with the long and contested history of female audibility in Iran. One of its earliest modern landmarks is Qamar-ol-Moluk Vaziri, who in 1924 became the first woman in Iran to sing publicly before a mixed audience without a veil. Her appearance marked a radical moment in the public life of women\u2019s voices. After the 1979 Revolution, women\u2019s solo singing in mixed-gender public settings was severely restricted, and female voices were increasingly pushed into forms of partial visibility, coded circulation, and institutional control. This project takes that history as a living <\/p>\n","protected":false},"excerpt":{"rendered":"
Nazanin Bahrami is a performance artist, theater-maker, artistic researcher, and visual artist whose work unfolds at the intersection of performance, collage, and painting. In 2017, she founded the research-based art collective \u201cUn-formula,\u201d which cultivates dialogue between performance and visual art and engages with social and cultural practices. Committed to examining the role of art in […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"content.php","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"wf_page_folders":[],"class_list":["post-1108","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/frankfurt-lab.de\/en\/wp-json\/wp\/v2\/pages\/1108","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/frankfurt-lab.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/frankfurt-lab.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/frankfurt-lab.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/frankfurt-lab.de\/en\/wp-json\/wp\/v2\/comments?post=1108"}],"version-history":[{"count":1,"href":"https:\/\/frankfurt-lab.de\/en\/wp-json\/wp\/v2\/pages\/1108\/revisions"}],"predecessor-version":[{"id":1149,"href":"https:\/\/frankfurt-lab.de\/en\/wp-json\/wp\/v2\/pages\/1108\/revisions\/1149"}],"wp:attachment":[{"href":"https:\/\/frankfurt-lab.de\/en\/wp-json\/wp\/v2\/media?parent=1108"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"https:\/\/frankfurt-lab.de\/en\/wp-json\/wp\/v2\/wf_page_folders?post=1108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}