Frankfurt Lab

Programm

3 - 5 €
Payment in cash at the box office

LOCATION:
Hall 1

DURATION:
90 min.

LANGUAGE:
Der Test: GER w. EN surtitles. Manchmal diese Unmöglichkeit: EN. On Fantasy, Residue and (soft?) Lies: No Language

Good Morning Gießen

Three short plays by Hannah Rumstedt, Denise Lim, Azahara Sanz Jara

3 - 5 €
Payment in cash at the box office

LOCATION:
Hall 1

DURATION:
90 min.

LANGUAGE:
Der Test: GER w. EN surtitles. Manchmal diese Unmöglichkeit: EN. On Fantasy, Residue and (soft?) Lies: No Language

On one night, students from the Institute for Applied Theater Studies in Gießen are showcaseing their performances together. Students from other HTA partner universities (HfG Offenbach, Goethe University Frankfurt) are also participating in the projects. Each of the works engages in its own way with the unfinished and the unrecognizable, with transitions and excesses, and not least with the images that contradiction creates rather than its resolution. Accordingly, the three works are not simply presented separately from one another, but are instead layered into one another and brought into tension with each other.

Der Test
by Hannah Linda Theodora Rumstedt
With Simon Bambach and Philipp Wagner
Armed with a camera, through the perspective of a first-person shooter, we search — between cornflakes, karaoke, and the ambivalence of violence and its gestures — for the right framing, and for a way out of the frame.

Manchmal diese Unmöglichkeit
by Denise Lim
With Milan Eckart, Jiyoung Yoo, Freddi Schnellinger, Emilia Puiadas
“Manchmal diese Unmöglichkeit” (working title) takes as a starting point the previous collaboration at the exhibition “Manchmal diese Möglichkeit” by Simon Gilmer at Zollamt Galerie in Offenbach. “Manchmal diese Unmöglichkeit” explores the excess in every image and the reconstructability of memory at the interface between dance and scenography. In a searching movement, something is to be approached that cannot yet be recognized.

On Fantasy, Residue and (soft?) Lies
by Azahara Sanz Jara
The yellow was yellow. She hid from the guy throwing the trash. That wall was cold, this time she kissed it with her cheek. I heard a scream from the distance answering back the same exact words. And purple flowers. Ok, the sixth time she realised that the length of the kiss affected the bond with the brick and this brick had been special, not the kind of special because of being the first brick but special because of their eyes.

Biographies

Hannah Rumstedt

Hannah Rumstedt is a writer, director, and performer whose work weaves together film, theatre, and visual art. She is particularly interested in the imaginative force as a tool of resistance, and in the productive contradictions between collectivity and individuality.
More info: https://hannahrumstedt.de/

 

Denise Lim

Denise Lim is a dancer and choreographer, working across theatre, film, and site-specific contexts. Her collaborative practice explores the body’s encounter with objects and environments – how it shapes and is shaped, invites and resists proximity, pleasure, and the gaze. Through improvisation and score-based methods, she cultivates heightened states of presence and experimental modes of witnessing. Denise graduated with BFA in Dance and Choreography from the Danish National School of Performing Arts in Copenhagen in 2020 and is currently doing her Masters in Choreography and Performance at Justus Liebig University in Gießen. She was a recipient of the Impulstanz Danceweb scholarship in 2019 and Atlas program in 2025.
More info: https://deniselim.dreamhosters.com/

 

Azahara Sanz Jara

Azahara Sanz Jara, born in Spain and based in Salzburg, studied dance at SEAD (Salzburg Experimental Academy of Dance) and at the Real Conservatorio Profesional de Danza Mariemma in Madrid. She works as a performance artist, freelance dancer, and choreographer with various national and international institutions and companies.
More info: https://www.azaharasanzjara.com/

Cooperation partners

hta-01